telling or singing the texts he wrote Sergio Siddi, the guitar that comes from jazz, and Nicolas Mountain percussion, cymbals, but also cajon, calabash, toy piano ... "Ferdinand Furious" is the slam in an atmosphere of instrumental hip hop and jazz ... "I place much like a storyteller, a griot who tells a story to people, with influences of slam, hip hop and jazz. The slam can talk as you want. There is the heat energy of jazz and hip hop which is chanted. It's completely live sound, "says Pierre Boudeulle which began only to say his lyrics. His name, "Ferdinand Furious" comes from an expression used by his grandmother often to mean "to make her interesting, its bulky ... ". Then, the actor-director met with the musicians and the band kept the same stage name. "The text comes first. The trio reacts and is at the service of history and ambience, although musically it's very rich, "says he.
"For one song, one can propose several tracks. It's a way of thinking about music. It allows us to be in the moment and to listen, "says Sergio Siddi.
Each group meetings led him to a new research, a new journey through themes and genres sometimes intimate, sometimes engaged, sometimes inflamed, the text sets the tone. "The voice, guitar and percussion are very rich material. We must create a special world for each song. This is a concert performance. So twice as much work, but that's what's exciting. The important thing is to be in the present, here, here, now there, with those looks with these bodies there, "says Pierre Boudeulle. To listen, feel, and thus to live this Friday at Nautilys
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